The
word ‘Home’, is attributed to a place of comfort-a place which is familiar to
us in every aspect but Zarina Hashmi, titles her work, ‘Home is a foreign
place’. Most of her works, like, ‘Dividing
Lines’, ‘Cities I Called Home’
and ‘Home is a Foreign Place’ deal
with the issues of displacement due to partition or new boundaries being
created. Apart from displacement she also works with the themes of memory and
traveling. Although these themes are the central focus of many other artists’
works, Zarina Hashmi is significantly known for it. The art work chosen to be
discussed in this paper is titled, ‘Home
is a Foreign Place’.
Zarina’s
works are like her personal journal reflecting the events of her life as she
travels to different places. The effects of this dislocation are brought
forward through very refined mesh of diagrams and maps which capture the memory
of an event, an emotion, a place and its ambiance. In an interview, while talking about her work
Zarina says:
“I
was born and grew up in India; my eye was trained by what I saw around me. The
last fifty years I have spent looking at other cultures, I have learned a lot
from those encounters. Nevertheless, I have emotionally come back to where I
started.
I consider myself a contemporary artist, like many others artists of my
generation who were born in one place and live in other places. My work is a
synthesis of all the traditions I passed through.”
This
specific work comprises of 36 different remnants of memory depicted on wood and
placed together as a wall installation. The fragments of her memory emanate a
strong feeling of nostalgia. There is a presence of emptiness in these simple
linear drawings. Trained in printmaking,
Zarina uses this technique on both paper and wood, which she herself carves.
Wood is an interesting medium to be used as it is a largely used material in
our homes-it is a part of the basic structure of a house. Wood makes one feel
nostalgic as the smell and the feel of the surface makes one travel into a
different time and place. On the other hand, even though paper is not a very
durable material but it is used for mapping and tracking history. In a way, Zarina Hashmi is tracing her own
history with places she has lived in, through her drawings; mapping them and
installing them together as she remembers them in fragments just like parts of
memories are remembered and associated with certain places. There is a
connection between all her works-they follow the same path created by her web
of drawings. Although,
her drawings are minimalist, they reflect emotions and strong expressions. The
bold black ink lines say much more than a busy painting, the feeling of loss
being dominant in all of these works. The impact of the India-Pakistan
partition is predominantly reflected in her works. Her work is a great example
of an art work that reflects feelings of both physical and mental displacement,
memory, traveling and nostalgia in a very refined and minimalist way-her use of
monochromatic ink expresses emotions much more dynamically than an array of
vibrant colors.